
| 10,000 B.C. PG-13 (2008) Warner Brothers, Legendary Pictures Director: Roland Emmerich Cast: Steven Strait, Camilla Belle, Cliff Curtis, Joel Virgel We almost passed on this one. We're so glad we didn't. Somewhere just above the equator, at the dawn of time, a man handed over his spear and left his village. The tribe branded him as a coward, and his son, D'Leh, (Steven Strait) was raised in shame. Only the hunter's friend, Tic Tic (Cliff Curtis, Live Free or Die Hard) knows why the strongest hunter left, but he has been sworn to secrecy. When a blue-eyed girl, Evolet (Camilla Belle) is discovered in the wild, the tribe's ruling medicine-woman sees a prophecy in her. D'Leh and Evolet become close, and he eventually wins her in a rite of passage. He is in the middle of questioning the ethics of his victory when the tribe is raided. D'Leh sets off to free them, fighting slavers, wild beasts, and the elements. Befriending other tribes along the way, he learns that he is following in his father's footsteps, and that the path to free his people merges with the path to find his father, and himself. This film is getting mixed press about special effects and "cheesy" narration. In professional circles, voice-overs are often thought of as a crutch for weak writing, but in this case we thought it worked. We wonder if some reviewers just didn't have Dads, and having blanked out this tragedy in their own lives, they didn't see the epic male story here for fathers and sons. Viewed in this light the plot is suddenly strong as an coming-of-age story for young men who have had their fathers stolen from them and who are left out of today's girl-power society. It is an affirmation of fatherhood where men lead by example, even if it means risking their lives and sacrificing their good name for the benefit of all. We enjoyed the story, even with the film's few technical issues and many historical glitches. Fatherhood 10,000 B.C. is rich in father-son messages. As the son takes up the hunt for his captured tribe, he learns the truth about why his father never returned, and it was nothing like what everyone back home believed. It turns out that his father was good, brave and respected among the people he'd met in his journeys. Although the two never meet as men, they are united in their work, making a better world for their kids. None of this comes at the expense of women. The film prominently features a wise woman leader, and a capable young girl. In their own ways, the young man and woman experience the passing of spirit from one generation to the next through vehicles that will be satisfactory to the tribe of today's Western Culture. The film has little that will date it later on, but there are a few social tags in it: = A father does not want to disrupt the matriarchy by publicly disagreeing with it. = After D'Leh wins Evolet and is thinking of disqualifying himself on a point of honor, Tic Tic questions if she was "your's to lose". This 20th century concept was doublespeak. Some viewers will see the honor question, where others will believe that in a prehistoric culture women could not be owned. Both could be true in D'Leh's matriarchal tribe but the film's dialog seemed a little modern, here and in other places. = Hair styles. = Tribesmen speculate that the pyramid builders are from space, or are gods. This is just silly stuff out of today's pulp fiction. Everybody knows they were built by dads. Final Review Male friendly, father friendly, girl friendly. Kids, ask Dad to take you. Dads, listen to your kids. :) Back to Reviews Back to top |


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