Hellboy II: The Golden Army PG-13 (2008) Dark Horse Entertainment Director: Guillermo del Toro Cast: Ron Perlman, Selma Blair, Doug Jones
When an evil prince disobeys his wise father’s wishes and seeks war, Hellboy (Ron Perlman), and his team rise to battle, fighting off bone-devouring tooth fairies and trying to solve Love’s age-old riddles along the way.
Hellboy, his human pyro girlfriend Liz Sherman (Selma Blair), and their aquatic psychic friend Abe Sapien (Doug Jones, who also played two other parts) are sheltered and employed by the ultra-secret Bureau of Paranormal Research and Defense.
Hellboy is a cigar-loving demon with a soft spot for kittens, Tecate beer in cans, and his girl, not always in that order. We’re glad to see him back, and that this sequel is every bit as good as the original.
The mix of Victorian gadgets and C-Gen is fun to watch, but it’s the characters that give this franchise depth. These characters are not multimillionaires like the Fantastic Four or Batman. Instead, they echo the pathos of street kids. Their strength comes from who they are, not what they bought.
Hellboy and his friends are nuanced, funny, and dedicated to each other. Even the domestic squabbles, while taking place with superhero intensity, remain at their core good-natured, human, and all too real.
Fatherhood Hellboy loves his adopted dad, Professor Broom (John Hurt) a kind, learned man whose stern countenance can melt into twinkling eyes over repeated requests for a bedtime story. Broom sees to the lad's nightly routine and reads him the fairy tale that sets the stage for the film. In that story, a wise king (and father) makes peace in the world, and a son prepares to disobey.
Fatherhood also becomes an empowering force for good during the course of the film.
We really like the Hellboy franchise, because he powerfully demonstrates ("demon" -strates?) all that is good about men and has such a good time doing it. Here is a guy who can blast through the frivolous and body-slam the bad guys, but can sing Barry Manilow tunes.
Hellboy's direct approach to problem-solving is all guy. His comical way of addressing his own shortcomings is boyish and charming.
One dark spot: the film is predicated upon the idea that all men are flawed. We're going to intentionally overlook the genesis-like fairy tale Broom reads to the young Hellboy at bedtime, where the story goes that Man was “born with a hole in his heart” (all males are flawed) and that this is the reason they make wars (as though their queens are on the record as wanting them to stop, or never made war themselves).